Citations

Artefact One 500 Word Response

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Bibliography

Buckingham, D. (2008) "introducing identity", in D. Buckingham (ed.) Youth, identity, and digital media. Cambridge, Mass.: MIT Press

Hall,S.(2000) Who needs identity?', in P. Du Gay, J.Evans,and P.Redman (eds) Identity: reader. London: SAGE Publications and The Open University, Pp.15-30.

Hall, S. (2013). Representation: Cultural representations and signifying practices (2nd ed.). Sage.

Jenkins, H. (2006). Convergence culture: Where old and new media collide. NYU Press.

Jenkins, H., Ford, S., & Green, J. (2013). "Thinking transnationality", in Spreadable media: Creating value and meaning in a networked culture. NYU Press.

de Paula, M. (2021). "Korea Soap Operas, telenovelas and Sci-fi Conspiracies: A game making experience with Latin American Youth in London', Digital Culture & education, 13(2), pp. 111-128.

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Artefact Two 1000 Word Response

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Bibliography

Burn, A. (2013). The kineikonic mode: Towards a multimodal approach to moving image media.

Canclini, N.G. (2001) Consumers and citizens: globalization and multicultural conflicts. Minneapolis: University of Minnesota Press.

Said, Edward. Orientalism. New York: Pantheon Books, 1978.

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Artefact Three 500 Word Response

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Bibliography

Arriagada, A., & Cruz, V. (2014). Music fans as mediators in the age of digital reproduction. In The Ashgate Research Companion to Fan Cultures. Routledge.

Hellekson, K., & Busse, K. (Eds.). (2014). [4 Introduction]. In The fan fiction studies reader (pp. 193–197). University of Iowa Press. https://doi.org/10.2307/j.ctt20p58d6.17

Linden, H., & Linden, S. (2017). Fans and fan cultures. https://doi.org/10.1057/978-1-137-50129-5

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Character Information

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